My Thoughts
Let me share my thoughts and findings here with you. Ill talk about working in public places, trying different techniques or mediums, and updates along my journey as an artist.
Entry 02: Trip to NYC
06/07/24
My trip to NYC was incredible! I spent two full days immersing myself in museums, marveling at the masterpieces of art. There is so much to learn from analyzing the works of other artists, and I left feeling profoundly inspired.
I visited the MET, the Guggenheim, and the MoMA, with the MET being my favorite by far. I spent the entire day there, and it still wasn't enough time. The piece that captivated me the most was "The Horse Fair" by Rosa Bonheur, painted in the 1850s. The dynamic movement and excitement of the horses moving in a big circle, combined with the intricate details on such a large canvas, completely drew me in. I loved seeing the deep knowledge of anatomy and the meticulous attention to detail.
Another piece that repeatedly caught my eye was "Man on a Diving Board" by Aksel Waldemar Johannessen, painted in 1912. The brushstrokes are so expressive, colorful, and distinct that they exude charm. It feels incredibly calming to observe, thanks to the visible flow and direction of the paint application. The composition on the long vertical canvas is also wonderful, in my opinion. The slightly top-heavy design makes you feel as if you're looking down at the water with the man.
When I got back home, I dove straight into painting, hoping that the inspiration from all the amazing art would somehow transfer to my own work. While it did open my eyes, I realized there's no shortcut to growth—it takes practice and time. However, immersing myself in all that art over two days left a lasting impression on me.
Questions kept swirling in my mind: "Who will be inspired by my work? Will I be fortunate enough to have my art in a museum? Will it happen now, or only after I'm long gone?" These thoughts drive me to create and express every feeling and idea I have.
If you ever get the chance, spend an entire day in a museum. Block out the rest of the world and truly absorb the art around you.
Entry 01: Left Hand inspiration
02/02/24
Let's start by acknowledging that I was working in a coffee shop, which tends to impose a certain pressure and competitive atmosphere on whatever you're doing. Even if nobody actually notices you sitting there, there's this lingering feeling that people are watching and silently judging. However, if you're there with a sketchbook and pencils taking up the whole table, those judgmental stares intensify. There's this pressure to produce something impressive, beautiful, or even a masterpiece.
Now that I've set the scene, there I was... sitting with that empty, blank page, doom-scrolling through Pinterest in search of inspiration. Feeling the weight of expectation, I'd make a few marks and erase them repeatedly until it struck me: nobody can judge what you do with your non-dominant hand. So, I began learning how to hold my pencil with my left hand and doodled away. I'm not sure if my brain was solely focused on not dropping the pencil or attempting to draw a straight line, but the pressure of the coffee shop seemed to vanish. There were no constraints, and the appearance of my drawings didn't matter because... it's my left hand.
But something even more incredible happened. Those scribbly doodles turned out amazing. They possessed a kind of magic and spontaneity that I adored. They exuded a sense of freedom and expression that I had always wished my right-handed sketches had. All the drawings you see here are from my left hand. I discovered that the girls I was drawing, with their gaze averted, conveyed a sense of anticipation that drew me in. There was an effortless, free-flowing quality to them that captivated me. So, I assembled a small collection embodying that sensation. (In the gallery, you'll find a "Left-Handed Collection" where you can view more of these drawings.)
So, I'll leave you with this: feeling pressured? In public for all to see? Feeling Stiff or uninspired? Try drawing with your non-dominant hand and see what unfolds. You never know what might emerge from it.